Pastel – advice and equipment
First, there are pastels. They are made of pure pigment powder with a small amount of gum binder (Associated low-quality chalk pastels included). Pastels come in many varieties (soft, hard, sticks, pencils, etc.), but they are essentially the same: the final choice is largely a matter of personal taste.
More importantly, perhaps, the type of paper with pastel chalks. When pastel is established on a surface which collapses the pigment deposits and so on that surface. Use the right kind of paper makes sure that the glue pastel filed on paper, and not just bask on the surface. In other words, a pastel of good will have a tooth "or immediately.
Dent and texture are not the same things. Paper has a wonderful soft, velvety texture and a tooth but not much. Art Spectrum type documents Colourfix have little texture, but a tooth fantastic – Like very fine sandpaper. The choice of paper is often painted as you wish. is short, the more toothy paper Pastel, recover it, thus necessitating a higher level of mixing and color. However, a sharp tooth limit the ability to record fine details. The final choice is often a little willingness to compromise, and down to experimentation, But the key point is – not with old paper with pastel chalks to paint with a specially designed paper for pastel.
Pastel work requires appropriate level to mixing and adaptation: some pastel painting techniques require the use of water it is important to use a document that is robust. My personal recommendation is to a heavier weight paper, pastels, you can purchase – something that stand-up a will is something that is going on.
A final consideration is the color of the paper. Pastel Papers come in a variety of colors and very white in the rule is an option available, it is rarely a good choice. colored paper, for a number of reasons preferable. In contrast to the paintings, pastel work often offers some show through the surface paper. Choose a color, paper conducive for the general Color of paint do you want to unify and to fill the background color and a subtle way the image. The color of the paper you choose will be an atmosphere To create the image. Finally, in the same way that painters put a rule on the base color on a white cloth (as a first step in the color), has the choice of paper color to the same effect (you are on the way before you even begin to pull).
Get the pastel paper requires above techniques and In addition, simply based on the surface. Once you make a name, you usually need something more to do – fold, stains, fix, clear / clean, etc. You can with the fingers, but a few simple tools to make a better job.
Torchillons (paper or strains) are "good to repair" and "Short" the mixture. What I mean in my attitude (in this context) pressure on the pastel on paper, it is less likely to erase all traces and / or a cutting edge defined (eg for the detailed work). I mean, is the mixture briefly, if you want to delete all characters on such a small distance ( As to two different colors along the border mix).
A soft brush is ideal for mixing (a gradation of color or tone). During a growing torchillon pastel paper in the tooth, brush lifts and carries the pigment, so that you can achieve a gradual merger.
It is also possible Carver to buy something called color (like a piece of rubber with a sharp pencil style handle). These are described Torchillons a super (they really push the pastel in the tooth). They set also act as a wet brush on wet, thick and allow you to paint with pastels flow. However, here, or press You too hard, and you act as an eraser (a job usually best done with an eraser on the left).
Speaking of pencils, you need one of those too. It is not there to correct mistakes it is necessary for cleaning in place (for pastel does not tend to stay where you said). The best way is a putty eraser. They are very soft and thin edges can be taken to make the points or small dots or fine lines of color in your image without doing any damage to the paper.
What pastel pencil points? Options are knives, sandpaper, pencil sharpener. Opinions vary, but I use a pencil SharpNES good (if I need mandatory) and to accept pastels that do not last forever.
Pastel is a very messy affair. I often think of work such as painting with pastels Dust. This is why it is better to use the tools described above, rather than on the fingers. Get your hands dirty, and you will inevitably make a mess.
Guess what? There is, more material you purchase a contribution to solving the problems of dust, but arrive prior to entering the details, I think I need to explain the problem of dust, a little more. It does not matter what type of pastel you use, the type of paper you are working on, or how much you push the pastel mix in the tooth, the fact remains that some of them will recover, and some of them may, on the paper surface remains in the form of dust. The problem is that the dust is at a given time and move to pollute the environment. For example, the black next to white is helpless and gray-white, while white floating on the black and lighter.
One solution is a pastel easel. These forward-tilt, so that dust is mainly fall to the ground. But if you do not "standing up (saying), this can not be the answer. I" do "flat and old paper is used, the areas my picture that I did not cover the work (in the style of a surgeon). This is not foolproof, but it helps a little. Some advocate bubbles on the paper surface move the dust (but you do not take it accidentally spit) or the use of compressed air (sold in spray cans) instead. When I choose to breath, I carefully the best direction in which the dust that causes the least impact damage to the delicate colors. I try to blow if I: It completely removes dust, but also differences.
The last piece of equipment you may need is a hair spray. Opinions about the use of fixative divided. The pastel-colored probably exists a permanent media. There is no deeper or oil, because of cracking. The pigments are much more stable than their counterparts in watercolor. The only weakness is the detachment of the pigment in the paper, if rough handling. Some say, give the picture a good shake and frame under glass. My coach says He hates Framing unfixed pastels.
There is no doubt pastel fixative is boring, but it has a number of advantages. The first …. He stops and looks pastel Dust. The second is that it can be used in a painting is finished renovation of the ATM of a document. When you can not stick more pastel on paper, spray with fixative and the problem is resolved. Third, it allows control over what you do and do not want spots (for example, where the layering of colors). Do not use hair spray (except hair): The use of an object made fixative. Not (not in terms of the frequency and amount). Paint as long as you can before you put the unfinished work. Bear Multiple layers of light rather severe. Re-work stresses that the final step to correct not the whole picture, and.
About the Author
Portrait artist working mainly from clients’ own photographs. Portraits by John Burton
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